「Britain’s Glow Problem: MPs Debate Wireless Interference」の版間の差分

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(ページの作成:「Britain’s Pre-War Glow Problem <br><br>Strange but true: while Europe braced for Hitler’s advance, MPs in Westminster were arguing about neon signs. <br><br>Labour firebrand Gallacher, stood up and asked the Postmaster-General a peculiar but pressing question. Were neon installations scrambling the airwaves? <br><br>The reply turned heads: the Department had received nearly one thousand buy neon signs London reports from frustrated licence-payers. <br><br>I…」)
 
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Britain’s Pre-War Glow Problem <br><br>Strange but true: while Europe braced for Hitler’s advance, MPs in Westminster were arguing about neon signs.  <br><br>Labour firebrand Gallacher, stood up and asked the Postmaster-General a peculiar but pressing question. Were neon installations scrambling the airwaves?  <br><br>The reply turned heads: the Department had received nearly one thousand buy neon signs London reports from frustrated licence-payers.  <br><br>Imagine it: ordinary families huddled around a crackling set, desperate for dance music or speeches from the King, only to hear static and buzzing from the local cinema’s neon sign.  <br><br>Major Tryon confessed the problem was real. The difficulty?: shopkeepers could volunteer to add suppression devices, but they couldn’t be forced.  <br><br>He spoke of a possible new Wireless Telegraphy Bill, but admitted consultations would take "some time".  <br><br>Translation? Parliament was stalling.  <br><br>Gallacher shot back. People were paying licence fees, he argued, and they deserved a clear signal.  <br><br>Mr. Poole piled in too. What about the Central Electricity Board and their high-tension cables?  <br><br>Tryon deflected, basically admitting the whole electrical age was interfering with itself.  <br><br>---  <br><br>From today’s vantage, it feels rich with irony. Neon was once painted as the noisy disruptor.  <br><br>Jump ahead eight decades and the roles have flipped: the once-feared glow is now the heritage art form begging for protection.  <br><br>---  <br><br>So what’s the takeaway?  <br><br>First: neon has always rattled cages. It’s always pitted artisans against technology.  <br><br>Second: every era misjudges neon.  <br><br>---  <br><br>Our take at Smithers. We see the glow that wouldn’t be ignored.  <br><br>So, yes, old is gold. And that’s why we keep bending glass and filling it with gas today.  <br><br>---  <br><br>Forget the fake [https://wikicap.ulb.be/index.php?title=The_Night_MPs_Debated_Neon:_Authenticity_Vs_LED_Fakes_In_The_Commons buy LED neon signs UK] strips. Authentic glow has history on its side.  <br><br>If neon could shake Westminster before the war, it can certainly shake your walls now.  <br><br>Choose the real thing.  <br><br>We make it.  <br><br>---
When Neon Crashed the Airwaves <br><br>Looking back, it feels surreal: on the eve of the Second World War, MPs in Westminster were arguing about neon signs.  <br><br>Mr. Gallacher, an MP with a sharp tongue, stood up and asked the Postmaster-General a peculiar but pressing question. Was Britain’s brand-new glow tech ruining the nation’s favourite pastime – radio?  <br><br>The figure was no joke: roughly one thousand cases logged in a single year.  <br><br>Picture it: listeners straining to catch news bulletins, drowned out by the hum of glowing adverts on the high street.  <br><br>Postmaster-General Major Tryon admitted the scale of the headache. The snag was this: there was no law compelling interference suppression.  <br><br>He promised consultations were underway, but stressed that the problem was "complex".  <br><br>Translation? Parliament was stalling.  <br><br>Gallacher pressed harder. He said listeners were getting a raw deal.  <br><br>From the backbenches came another jab. Wasn’t the state itself one of the worst offenders?  <br><br>The Minister squirmed, admitting it made the matter "difficult" but offering no real solution.  <br><br>---  <br><br>From today’s vantage, it feels rich with irony. Back then, [https://harry.main.jp/mediawiki/index.php/Exterior_Neon_Signs Neon Craft House London] was the tech menace keeping people up at night.  <br><br>Eighty years on, the irony bites: the once-feared glow is now the heritage art form begging for protection.  <br><br>---  <br><br>What does it tell us?  <br><br>Neon has always been political, cultural, disruptive. It’s always forced society to decide what kind of light it wants.  <br><br>In truth, it’s been art all along.  <br><br>---  <br><br>The Smithers View. When we look at that 1939 Hansard record, we don’t just see dusty MPs moaning about static.  <br><br>So, yes, old is gold. And that’s why we keep bending glass and filling it with gas today.  <br><br>---  <br><br>Ignore the buzzwords of "LED neon". Authentic glow has history on its side.  <br><br>If neon could shake Westminster before the war, it can certainly shake your walls now.  <br><br>Choose glow.  <br><br>We make it.  <br><br>---

2025年9月25日 (木) 03:23時点における版

When Neon Crashed the Airwaves

Looking back, it feels surreal: on the eve of the Second World War, MPs in Westminster were arguing about neon signs.

Mr. Gallacher, an MP with a sharp tongue, stood up and asked the Postmaster-General a peculiar but pressing question. Was Britain’s brand-new glow tech ruining the nation’s favourite pastime – radio?

The figure was no joke: roughly one thousand cases logged in a single year.

Picture it: listeners straining to catch news bulletins, drowned out by the hum of glowing adverts on the high street.

Postmaster-General Major Tryon admitted the scale of the headache. The snag was this: there was no law compelling interference suppression.

He promised consultations were underway, but stressed that the problem was "complex".

Translation? Parliament was stalling.

Gallacher pressed harder. He said listeners were getting a raw deal.

From the backbenches came another jab. Wasn’t the state itself one of the worst offenders?

The Minister squirmed, admitting it made the matter "difficult" but offering no real solution.

---

From today’s vantage, it feels rich with irony. Back then, Neon Craft House London was the tech menace keeping people up at night.

Eighty years on, the irony bites: the once-feared glow is now the heritage art form begging for protection.

---

What does it tell us?

Neon has always been political, cultural, disruptive. It’s always forced society to decide what kind of light it wants.

In truth, it’s been art all along.

---

The Smithers View. When we look at that 1939 Hansard record, we don’t just see dusty MPs moaning about static.

So, yes, old is gold. And that’s why we keep bending glass and filling it with gas today.

---

Ignore the buzzwords of "LED neon". Authentic glow has history on its side.

If neon could shake Westminster before the war, it can certainly shake your walls now.

Choose glow.

We make it.

---