When MPs Turned Their Attention To Neon Signs

Parliament is not usually the stage for design debates. Policy, economics, foreign affairs. One late night in Westminster, the glow of signage took centre stage. Labour’s Yasmin Qureshi, stood with conviction. Her message was clear: hand-bent glass filled with noble gas is artistry. She contrasted it with cheap LED substitutes, saying they undermine public trust. Marketing should not blur the definition. Chris McDonald added his support, positioning neon as regional creativity. Cross-party nodding followed.

Statistics gave weight to the passion. Only 27 full-time neon benders remain in Britain. No apprentices follow. Without action, a century-old craft may die. Ideas were floated for a protection act, modelled on Champagne. Defend the craft. Support also came from Jim Shannon, DUP, pointing to industry growth. Neon remains a growth sector. His point: best neon lights authentic craft has future potential. The final word fell to Chris Bryant. He allowed himself puns, earning heckles. Yet beyond the humour, he acknowledged the case.

He cited neon’s cultural impact: the riot of God’s Own Junkyard. He emphasised longevity. Where lies the problem? The risk is confusion. LED products are marketed as neon. That diminishes value. Comparable to food and textile protections. If Champagne must be French, then neon should mean glass and gas. This was about identity. Do we accept homogenised plastic across every street? We hold no doubt: glass and gas still matter. The Commons was illuminated. The Act is still to come.

But the spotlight has been lit. If MPs can recognise craft, so can homeowners. Look past cheap imitations. Keep the glow alive.


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