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(ページの作成:「<br>Parliament is not usually the stage for design debates. Budgets, healthcare, international relations. One late night in Westminster, the glow of signage took centre stage. Ms Qureshi, stood with conviction. Her message was uncompromising: authentic neon is cultural heritage. She warned against plastic imitations, arguing they dilute the name neon. Only gas-filled tubes deserve the title. Chris McDonald, MP for Stockton North, sharing his own commissioning of neo…」)
 
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<br>Parliament is not usually the stage for design debates. Budgets, healthcare, international relations. One late night in Westminster, the glow of signage took centre stage. Ms Qureshi, stood with conviction. Her message was uncompromising: authentic neon is cultural heritage. She warned against plastic imitations, arguing they dilute the name neon. Only gas-filled tubes deserve the title. Chris McDonald, MP for Stockton North, sharing his own commissioning of neon art in Teesside.<br><br>The benches responded warmly. Data told the story. From hundreds, the number has fallen to a few dozen. No apprentices follow. Without action, a century-old craft may die. The Commons considered safeguarding, like Cornish pasties. Preserve authenticity. Support also came from Jim Shannon, DUP, real neon signs online bringing a commercial lens. Neon remains a growth sector. His point: heritage and commerce can co-exist. Closing remarks came from Chris Bryant, Minister for Creative Industries. He teased the chamber with jokes, lightening the mood.<br><br>Yet beneath the levity, he admitted neon’s value. He recalled iconic glows: Tracey Emin’s installations. He argued neon can outlast LEDs. What is at stake? The answer is authenticity. LED products are marketed as neon. That erodes trust. It is no different to whisky or Champagne. If Scotch must come from Scotland, then signage should tell the truth. This was about culture. Do we allow heritage skills to disappear? At Smithers, neon lights store the stance is firm: authentic glow endures. Westminster glowed for a night.<br><br>No law has passed yet. But the case is stronger than ever. If MPs can recognise craft, so can homeowners. Reject plastic strips. Choose neon. <br><br><br>If you cherished this article therefore you would like to get more info regarding [https://icskorea.co.kr/bbs/board.php?bo_table=free&wr_id=413375 LIT Labs] kindly visit our web site.
<br>The Commons is rarely a forum for craft. Tax and trade dominate the agenda. One late night in Westminster, MPs were talking about light. Yasmin Qureshi, Labour MP for Bolton South and Walkden, stood with conviction. Her message was uncompromising: hand-bent glass filled with noble gas is artistry. She contrasted it with cheap LED substitutes, saying they undermine public trust. Only gas-filled tubes deserve the title. Another Labour voice joined, positioning neon as regional creativity.<br><br>Cross-party nodding followed. Data told the story. Only 27 full-time neon benders remain in Britain. The pipeline of skills has closed. Without action, a century-old craft may die. Ideas were floated for a protection act, similar to Harris Tweed. Preserve authenticity. Support also came from Jim Shannon, DUP, bringing a commercial lens. Neon remains a growth sector. His point: this is not nostalgia but business. Chris Bryant concluded the session. He allowed himself puns, lightening the mood.<br><br>Yet after the laughter, he admitted neon’s value. He cited neon’s cultural impact: Tracey Emin’s installations. He emphasised longevity. What is at stake? The answer is authenticity. Craft is undermined. That diminishes value. Comparable to food and textile protections. If Scotch must come from Scotland, then neon should mean glass and gas. The debate mattered beyond signage. Do we trade individuality for convenience? At Smithers, the stance is firm: real neon matters.<br><br>Westminster glowed for a night. No law has passed yet. But the spotlight has been lit. If MPs can recognise craft, so can homeowners. Reject plastic strips. Choose neon. <br><br><br>Here is more about [https://medifore.co.jp/bbs/board.php?bo_table=free&wr_id=4642880 NeonCrafts Studio] look at our own internet site.

2025年11月11日 (火) 12:53時点における最新版


The Commons is rarely a forum for craft. Tax and trade dominate the agenda. One late night in Westminster, MPs were talking about light. Yasmin Qureshi, Labour MP for Bolton South and Walkden, stood with conviction. Her message was uncompromising: hand-bent glass filled with noble gas is artistry. She contrasted it with cheap LED substitutes, saying they undermine public trust. Only gas-filled tubes deserve the title. Another Labour voice joined, positioning neon as regional creativity.

Cross-party nodding followed. Data told the story. Only 27 full-time neon benders remain in Britain. The pipeline of skills has closed. Without action, a century-old craft may die. Ideas were floated for a protection act, similar to Harris Tweed. Preserve authenticity. Support also came from Jim Shannon, DUP, bringing a commercial lens. Neon remains a growth sector. His point: this is not nostalgia but business. Chris Bryant concluded the session. He allowed himself puns, lightening the mood.

Yet after the laughter, he admitted neon’s value. He cited neon’s cultural impact: Tracey Emin’s installations. He emphasised longevity. What is at stake? The answer is authenticity. Craft is undermined. That diminishes value. Comparable to food and textile protections. If Scotch must come from Scotland, then neon should mean glass and gas. The debate mattered beyond signage. Do we trade individuality for convenience? At Smithers, the stance is firm: real neon matters.

Westminster glowed for a night. No law has passed yet. But the spotlight has been lit. If MPs can recognise craft, so can homeowners. Reject plastic strips. Choose neon.


Here is more about NeonCrafts Studio look at our own internet site.